A quick Q&A with the JUNO-winning band ahead of their sold out show in Kingston on February 23.
Yvonne was interviewed for the Sept/Oct 2015 issue of YAM magazine, where she discussed her role as Victoria’s Poet Laureate.
Review of No Liars first show on June 7th 2015 from Tyson Edler of YYJ Rocktographers
For any of you fiends who've been dwelling inside rocket-proof domes until recently, the China Creeps -who are Neil on bass, Baxter on guitar, Matt on vocals and Dave on drums - are one of the leading (of what is becoming a tradition of) gr...
Times Colonist interviews Kirsten Van Ritzen about her acting roles in television movies filmed in Victoria in 2015.
Napanee native recognized for exceptional contributions to Canada and humanity.
The Pack AD / Cadaver Dogs / The TVees / Valerie Graham
ANZA Club
June 20th, 2008
Dave Bertrand
So we swagger in with our free stamps and I'm feelin' good – old friends in the house, old friends at the bar, fist of beer; I enjoy the...
Victoria locals Jon and Roy have released a new album entitled Let It Go, which is a subtle departure from their previous and wildly successful album Homes. I spoke with Roy Vizer (drums/percussion) about the new album, the road, and what life at home in
Richards on Richards, July 2
As someone far more familiar with the Modern Lovers than Jonathan Richman’s solo output, I had little idea what to anticipate from his show. All I know is that it took place on my birthday, and Mr. Richman ...
Victoria singer-songwriter Vic Horvath hailed from Calgary but settled in BC’s oceanside capital (a move they discuss in the song “Shiney Shotgun”). After a couple of years of performing, touring and popping out the odd single, they finally released
The Toronto-based, Bengali-Bajan duo have been holding down Canada’s underground DIY music scene for decades.
Grand OnStage presents the acclaimed, JUNO Award-winning band at Kingston Grand Theatre November 10
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio