http://www.artopenings.ca/haren-vakil.html
There aren’t a lot of modern rock bands running around spouting an ethos of love, harmony and goodwill toward one other. In a market where the gloomy, aggressive or just plain aloof is king, you wouldn't think these kinds of happy cuddly ...
April 10th, 2009
Cannibal Corpse/The Faceless/Neuraxis/Obscura
Croatian Cultural Center
By Marcell Fraser
Easter Weekend: there could be no more appropriate time to witness a death metal show such as this, and the more than solid bill...
Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...
Cheap Trick proves endless talent performing on "Guitar Center Sessions" season finale.
The unrivaled band shows no signs of slowing down as they amaze the crowd with their classic, high-charting song, "Dream Police".
The group recently toured th
Victoria singer-songwriter Vic Horvath hailed from Calgary but settled in BC’s oceanside capital (a move they discuss in the song “Shiney Shotgun”). After a couple of years of performing, touring and popping out the odd single, they finally released
Sharon Jones and the Dap-Kings release new record, "Give the People What They Want". The release date was scheduled for the passed summer, but was pushed later due to the diagnoses of Sharon Jones's Stage II pancreatic cancer. After undergoing treatment,
Reports on Challenge Crisis with Creativity community art project created by Gage Gallery to help people during Covid 19
Kingston band turns old farmhouse into modern recording studio just north of the city.
The ‘Kill the Elite’ tour has been mercilessly trampling its way across North America, and with tonight’s show including Vancouver’s newest international extreme metal export Archspire and being headlined by Canadian legends Katakly...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio