The Birthday Party Paintings by Christine Clark reviewed by Debora Alanna
‘The Birthday Party Paintings' ~ 3-19 October 2014
Xchanges Gallery
TV station brings together music artists from New York and eastern Ontario
The Beatdown
Walkin' Proud
CD - LP
Stomp Records - STMP099
The Beatdown have become masters of their craft! Their 2010 debut album saw the group carry on the work put down with One Night Band and carried into into garage rock terri...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
Reports on Challenge Crisis with Creativity community art project created by Gage Gallery to help people during Covid 19
December 19th was officially Pointed Sticks Day in East Vancouver.
The release party for the band’s return album on Northern Electric, Three Lefts Make A Right was a buzz event, rockin’ the house with 2 Shows at the fabulous Rio Thea...
Dear Kim
I personally wanted to thank you and the troupe for such a fine fine evening on Saturday. Grace and I have had nothing but rave reviews about everything including how much everyone really enjoyed the dancing. The snake routine in the library was
Find someone who thinks tapes aren’t cool and I’ll shove my Sony Walkman up his bum. Tapes are still rad and this Anion tape is no different. It’s red in colour and resembling the Teenage Mutant Ninja Turtles soundtrack cassette tape ...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
We are excited to share that for a month or so our team have been secretly working on something pretty fantastic – and it’s now ready to share with you! Say hello to Sunset’s new Interactive Virtual Stage system, a game changer for local speakers, t
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.